Creative Intent on the Windward Slopes

Scott Daly, Shane Ruggieri, Dan Darcy, Evan Gitterman, Poppy Crum

SMPTE was formed in 1916 as narrative performance was ushered onto the technological stage allowing for mass distribution and transmission. While there is no need to list those advantages, there is one weakness with audiovisual media as compared to the traditional stage, which media still has not overcome. This is real-time audience feedback, and the ability to adjust the performance based on differing audience reactions. This paper motivates the use of biosensors in media by highlighting the problem of signal loss due to playback technology. A metadata system is proposed that allows creatives to steer signal modifications as a function of audience emotion and cognition as determined by biosensor analysis This is needed because today's audiovisual ecosystem includes such a wide variety of playback devices that the audience's experience can differ substantially for the same source content. Metadata for narrative and emotional expectation as inserted by creatives during the content production stages combines with the assessment to adapt the rendering. As a result, the system allows for creative intent to be scalable as best as possible across many types of playback systems in a manner analogous to real-time stage presentation.

Published
2023-10
Content type
Original Research
Keywords
biosensors, creative intent, emotion, cognition, image processing, audio processing, displays, sound systems, real-time signal modification
DOI
10.5594/M002013
ISBN
978-1-61482-964-5