Trouble Chart for Variable-Area Sound

The Aim of providing the film producer with the highest-quality photographic soundtrack on his release prints is a continuing goal for sound recording studios, film laboratories, and equipment and film manufacturers. Many workers in these organizations have described the factors which can affect the quality of the final release soundtrack.^1-5 For a number of persons in the industry a paper by Frederick G. Albin in the November 1962 Journal⁶ was the most stimulating because it raised the question of making a “standard” sound negative test film. This proposal has been under study by the Sound Committee and the Laboratory Practices Committee of the Society with a view toward formulating Recommended Practices and American Standards.

Print ISSN

0361-4573

Published

1964-10

Content type

Original Research

DOI

10.5594/J07758