Criteria of Image Distortions in the Cinematographic Process

V. G. Komar

Attention is drawn to the general laws of the appearance of image distortions within the cinematographic process in view of photography, printing, projection and visual perception of motion-picture films. The principles that are discussed are inherent in the objective quantitative estimation of image distortions and are suitable for various systems of feature cinematography, that is, normal, wide-screen, wide-gage and stereoscopic. A range of criteria is suggested for quality estimation of geometric distortions and formulas are cited for the definition of a few criteria.

Print ISSN
Published
1966-04
Content type
Original Research
DOI
10.5594/J05938