Pick-up for Sound Motion Pictures (Including Stereophonic)

J. P. Maxfield, A. W. Colledge, R. T. Friebus

Although the basic principles underlying sound pick-up for motion pictures have been understood for some time, the ability to carry them out completely in the presence of the requirements of artistry, photography, lighting, etc., has constituted a difficult problem. The paper discusses some of these problems, particularly with respect to the acoustics of production sets and scoring stages. The problems of stereophonic reproduction are also discussed in some detail.

Print ISSN
Published
1938-06
Content type
Original Research
DOI
10.5594/J14668