Photographic Effects in the Feature Production “topper”

R. Seawright, W. V. Draper

An account is given of the various types of photography used in the feature production “Topper.” Among the shots discussed are a split screen against a projected background, demonstrating the feasibility of such treatment. Other effects are: multiple exposures, animated split screen, animated travelling mattes, straight animation, intricate matching of action, and a new process of subtractive matting. — A statement is included on the precautions taken to eliminate weave between the production shots taken with Mitchell cameras and the duping. which was done on Bell & Howell machines. The paper is illustrated with various selections from the picture, made by the processes described.

Print ISSN
Published
1939-01
Content type
Original Research
DOI
10.5594/J12938