The Stereophonic Sound-Film System—General Theory

Harvey Fletcher

The general requirements are discussed for an ideal recording-reproducing system as determined by the characteristics of hearing of a typical group of persons listening in a typical concert hall or theater. Quantitative values are set down as ideal objectives. Although microphones, loud speakers, and amplifiers which had been developed for the stereophonic transmission system were available for meeting these objectives, no recording medium was known which would record the wide dynamic range of intensity levels which the objectives indicated was necessary. However, this wide intensity range objective was met by using a compandor in the electrical system. A general discussion is given of the reasons for choosing the particular compandor used, for using variable-area rather than variable-density on the recorded film, for using three instead of a greater or lesser number of channels. A general description of the stereophonic sound-film system is given, including the enhancement feature. This feature makes it possible to re-record from the original recording, at the same time making any desirable changes in the dynamic range or frequency response in each of the three channels.

Print ISSN
Published
1941-10
Content type
Original Research
DOI
10.5594/J09956