Technicolor Cinematography

This essay does not in any way pretend to be a comprehensive coverage of the equipment, methods, and problems of the Technicolor cameraman at the present time, but is intended rather to present some of the items that might be of general interest. Inasmuch as the general technics of motion picture photography are well known and have been frequently discussed in the literature, there will here be presented some of those aspects that are peculiar to, or receive emphasis from, the fact that the camera is photographing in color.

Print ISSN

0097-5834

Published

1942-08

Content type

Original Research

DOI

10.5594/J09869