The Camera versus the Microphone in Training Film Production
The training film is primarily a motion picture, not a sound track illustrated with pictures. A training film succeeds in its mission to the extent that it can maintain eye-attention, and consequently interest. The major responsibility for arousing and sustaining interest is the job of the camera, not the microphone, as is too infrequently demonstrated. The substitution of track modulations for pictures results in a deadly kind of training film, effective only as a sleep-producer or sedative. Subverting the track and placing the burden of maintaining interest on the camera, where it rightfully belongs, will result in training films that are stimulants. — New techniques and new equipment may be needed to fully exploit the camera. Whatever motion picture engineers can do to increase the flexibility and mobility of the camera, especially in non-studio use, will help.
- Print ISSN
- 0097-5834
- Published
- 1944-11
- Content type
- Original Research
- DOI
- 10.5594/J12887