Studio Production with Two-Color Bipack Motion Picture Film

John W. Boyle, Benjamin Berg

The increased use of color in motion pictures has brought about a revival of interest in two-color bipack processes. With proper handling, allowing sufficient production time, and good co-ordination between camera, make-up, art, and wardrobe departments, the results with a two-color process are very adequate. — The entire production program of the Hal Roach Studios is in a two-color process. The technical departments have had the advantage of planning for the limitations of a two-color process. This has enabled the studio to obtain the ultimate possible from such a process. This paper describes briefly some of the problems overcome and techniques developed.

Print ISSN
Published
1947-02
Content type
Original Research
DOI
10.5594/J01870