Effects of Incorrect Color Temperature on Motion Picture Production

Frank F. Crandell, Karl Freund, Lars Moen

Past efforts to systematize control of film production (and especially color) have been partially defeated by inability to detect variations of color temperature of daylight and artificial light sources. Effects of such variations on tone or color of makeup, costumes and sets are cited. Steps necessary to complete control, and the part which color temperature of illuminants plays in each are indicated. A new instrument is described which makes the practical determination of color temperature a simple step. A more accurate method is proposed for the description of illuminants, color film and filters.

Print ISSN
Published
1950-07
Content type
Original Research
DOI
10.5594/J05176