Separation Process for Additive Color Motion-Picture Photography on Black-and-White Film
A new process, particularly applicable to the color-television field, is described. This equipment makes possible photography in full additive color on ordinary black-and-white film when fitted to the typical studio motion-picture camera. Its relationship to the needs of the color-television industry is considered. Characteristics concerning economy of operation, set-lighting requirements and angle of view are discussed. Related projection and printing equipments and techniques are described.
- Print ISSN
- 0898-0438
- Published
- 1955-03
- Content type
- Original Research
- DOI
- 10.5594/J14542
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