On-set Generation of Color-corrected Dailies in Digital Cinema Production
The amount of time between shooting a scene and being able to view dailies to evaluate the results has decreased from a matter of days on film productions to almost instantaneous on video productions. With the introduction of file-based workflows, this time has again increased because of the need for post-processing of the raw image data. New developments in file-based workflows now allow for the creation of dailies on the set during production—rather than overnight at a post-production facility—providing rapid feedback for the cinematographer and director. Creating dailies becomes an integral part of a file-based workflow, including data management and backup, color correction, dailies production, editorial proxy generation, and color metadata creation.
- Print ISSN
- 1545-0279
- Electronic ISSN
- 2160-2492
- Published
- 2010-11
- Content type
- Original Research
- DOI
- 10.5594/J17296