Cine Light

The camera man in the studio runs two machines. The lights bombard surfaces with radiant energy. The camera records tho time-space-intensity distribution of a selected portion of the energy these surfaces reflect. No camera man can have more delicate control over this double mechanism than the delicacy of his control of the lights. So, unless the light machine is a trifle better than the camera, the studio is going to feel that light is no better than a necessary evil.

Print ISSN

0096-6460

Published

1923-05

Content type

Original Research

DOI

10.5594/J11628